Sunday, September 27, 2020

"Is is strange to say I miss the bodies of others?"

In the way that absence illuminates desire, and breakage illuminates function — you don’t notice the doorknob until it twists off in your hand — quarantine has made it plain to me how much I miss the daily, unspoken, casual company of strangers, the people whose names and lives I’ll never know, who populate my ordinary urban days with their bodies on the subway, their glances on the sidewalk, their stray comments at the A.T.M., their hands holding whole milk and gummy bears in front of me in the bodega line.

It was in the early months of my separation that I started to become acutely aware of this gratitude for the peculiar anonymous company that urban living offers — for the cafe just downstairs from my new apartment, where many of the same regular customers gathered each morning: the amiable elderly man chain-smoking and mansplaining trans-Atlantic politics; the mom-friends with their parked bassinets; the 20-something boys reading Bakhtin and Heidegger who never offered to help me carry my stroller up the stoop stairs. In the aftermath of my household unraveling, it was an acute and unexpected comfort to find this daily ragtag cohort just downstairs — a looser household, but a household nonetheless.

Walking late at night on Flatbush Avenue, I appreciated all the anonymous strangers I passed for the ways they suggested, even if I didn’t know their stories, how many different ways it was possible to craft a life. The man buying mangoes at the bodega just before midnight? Maybe he was a father of five. Maybe he was a single father of five. Maybe he and his husband were trying to adopt. Maybe he and his wife had been trying to have a child for years. Maybe he and his wife knew they didn’t want a child; maybe they were saving up to travel the world instead. Maybe he lived alone with his aging mother. Who could know his story? I never would. But I didn’t need to. I only needed to know, through his presence on that sidewalk, that so many plotlines for a life were possible.

When we lose the ability to live among the bodies of strangers, we don’t just lose the tribal solace of company, but the relief from solipsism — the elbow brush of other lives unfurling just beside our own, the reminder of other people’s daily survival, the reminder that there are literally seven billion other ways to be alive besides the particular way I am alive; that there are countless other ways to be lonely besides the particular ways I am lonely; other ways to hope, other ways to seek joy.

Leslie Jamison
The New York Times
September 27, 2020

Wednesday, September 23, 2020

Mississippi: A Poem, In Days

 

Humiliation, agony, and death, are what I feel.

It could all be so much worse, is what the worst of white folks want us to recite.

The worst of white folk will not be persuaded; they can only be beaten. And when they are beaten, they fight more ferociously. They bruise us. They buy us. That is why we are so tired. That is why we are awakened. We are fighting an enemy we’ve shown exquisite grace, an enemy we’ve tried to educate, coddle, and outrun, an enemy that never tires of killing itself, just so it can watch us die.

Titillation.

I lather my hands in sanitizer and google gun shops in Lafayette County on my phone. I do not believe in guns. I do not believe in prisons. Yet I know I need one if I am to continue living alone in this Mississippi, American town.

I look at the grizzled cotton fields outside my truck window on Highway 6. I want to ask, where am I?

But I know.

This is not home.

If this is home, it is not healthy.

I do not want to humiliate. I do not want to be humiliated. I do not want to kill. I do not want to be killed. I want us to be free. I know what I feel. I know what I’ve felt. I must buy a gun if I continue to live in Oxford, Mississippi, so I cannot continue to live in Oxford, Mississippi, no more. It took way too much Black death to get here, and here is where I’d love to live without guns, without prisons, without monuments of humiliation, without the undervalued expected sacrifice of essential workers, without the worst of white folks. Here is where I’d like to tenderly, honestly, radically live and love with you.

And here, one day, will be Mississippi.

 

Kiese Makeba Laymon
Vanity Fair, September 2020

Wednesday, September 9, 2020

The word "my" brings pleasure.  The word "my" brings pain.  These are true words for masters as well as slaves.  When they are drunk, we become invisible to them.  Their talk turns to owning, or to profit, or loss, or buying, or selling, or stealing, or hiring, or renting, or swindling.  For white men, to live is to own, or to try to own more, or to die trying to own more. Their appetites are astonishing! They own wardrobes, slaves, carriages, houses, warehouses, and ships.  They own ports, cities, plantations, valleys, mountains, chains of islands.  They own this world, its jungles, its skies, and its seas.  Yet they complain that Dejima is a prison.  They complain they are not free.  Only Dr. Marinus is free from these complaints.  His skin is a white man's, but through his eyes you can see his soul is not a white man's soul. His soul is much older.  On Weh, we would call him a kwaio.  A kwaio is an ancestor who does not stay on the island of ancestors. A kwaio returns and returns and returns, each time in a new child.  A good kwaio may become a shaman, but nothing in this world is worse than a bad kwaio. 

The Thousand Autumns of Jacob De Zoet
David Mitchell